Why 2 snow white movies

As in film adaptations music and images oftentimes replace text entirely, the story and setting is set by the actors, sound, light and colours. Since colours are visualized emotions and the viewer reacts emotionally to different colours and colour combinations 14 , the focus of this paper will be the effect and mood colours and lighting create in the two film adaptations of Snow White. There are so many variables and criteria one could analyse in terms of film analysis in general and colour symbolism in the fairy tale and its two film adaptations, however, since the extent of this paper is limited, the main focus will be on the predominant colours found in the looks and costumes of the protagonists Snow White and the evil Queen, her stepmother, and the setting of some key scenes.

One quick glance at the two cover pictures of the films shown on DVDs, cinema posters or advertisement is enough to see how very different these adaptations are. While Mirror Mirror , as seen in Fig. The colour order of archaic, classic and traditional societies - the basic colour terms - is composed of black, white and red. This colour trilogy is used in literature to refer to an enhanced sexual attractiveness in Shakespeare for instance 15 , and in fairy tales as well:.

The Queen wishes for a child as white as snow, as red as blood and as black as ebony, and that is how Little Snow White looks like in the fairy tale and in both film adaptations as well. She has got skin as fair as snow, lips red as blood and her hair is black as ebony, conforming to the aristocratic ideal of beauty during those times.

It was very noble to have pale skin, protected from the sun. D W Dorothea Wolschak Author. Add to cart. Index 1. Introduction 2. Fairy Tale Films 3. Scenery 4. Conclusion 1. Introduction Once upon a time - years ago to be precise - two brothers put down a collection of previously orally bequeathed wondrous and fantastic stories that would continue to amaze children and adults all over the world.

Colour symbolism There are so many variables and criteria one could analyse in terms of film analysis in general and colour symbolism in the fairy tale and its two film adaptations, however, since the extent of this paper is limited, the main focus will be on the predominant colours found in the looks and costumes of the protagonists Snow White and the evil Queen, her stepmother, and the setting of some key scenes.

Cover pictures One quick glance at the two cover pictures of the films shown on DVDs, cinema posters or advertisement is enough to see how very different these adaptations are. Further explanations to the symbolism of specific colours follow in the next chapters.

Snow White and her Stepmother, the evil Queen 3. White, Red, Black The colour order of archaic, classic and traditional societies - the basic colour terms - is composed of black, white and red. This colour trilogy is used in literature to refer to an enhanced sexual attractiveness in Shakespeare for instance 15 , and in fairy tales as well: The Queen wishes for a child as white as snow, as red as blood and as black as ebony, and that is how Little Snow White looks like in the fairy tale and in both film adaptations as well.

Sign in to write a comment. Read the ebook. Winner: Huntsman 3. Handsome Prince. Winner: Mirror 4. Snow way! Sold, sold, sold, and very sold. Winner: Huntsman 5. And she is a brave person for attempting to place non-noted clothes wearer Julia Roberts in both ridiculous haute couture and the color yellow. Winner: Mirror 6. Special Effects. Understandably, Walt was nervous; if Rosenberg was unmoved by what he saw, he could easily refuse to hand over the extra money.

Throughout the screening, Disney tried to explain what Rosenberg was seeing. He walked out of the projection room, remarked that it was a nice day… and yawned! Fortunately, one of the other people Rosenberg called up was Hollywood producer Walter Wanger.

Even today, the animation, overseen by supervising director David Hand and designed by concept artist Albert Hurter, positively sparkles with life. The songs, written by Frank Churchill and Larry Morey, are timelessly catchy.

But the finished film only gives a hint at the enormous behind-the-scenes work that went into Snow White. For every one of the roughly , cels that made it into the finished film, there were thousands more drawings and tests that never saw the inside of a theatre. He was running out of money, and still had a lot to do when his deadline loomed up in December.

Layout artist Ken Anderson concurred. Through sheer determination, Snow White and the Seven Dwarfs met its winter deadline, and held its premiere on Dec. The response was little short of rapturous. And as history records, Snow White would soon go on to become the most profitable film of all time. In risking so much when making Snow White , Disney not only established itself as a major force in Hollywood — paving the way for such future hits as Pinocchio , Bambi , and Dumbo — but also established the creative possibilities of the animated feature.

When Walt Disney took to his little recording stage in , he carried Snow White from concept to completion through sheer belief and enthusiasm. In the process, he changed the face of filmmaking forever. Skip to main content area. Heigh-Ho… One evening in , Walt Disney got up on a recording stage in front of an assembled group of his animators.

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